The concept of “winners” versus “losers” is an American ideology to which I do not subscribe. In fact, it originated in western, free-market culture and is the ideology of choice of those who daily ask the question favorited Ayn Rand, “who is John Gault?” The philosophy goes something like: if there are winners, it is because they did whatever was necessary to deserve that status. Likewise, if there are losers, they are equally as responsible for their own failure. I’m a bit surprised that Frymaster, the self-proclaimed “dot-commie,” would adopt such a cowboy-capitalist mentality as pertains to our selection of elected officials.
Commonweal - dotCommonweal
Ryan wants to be president someday. His prospects took a real beating in the last election because of his own missteps [remember he and his family “cleaning” already clean pots and pans at the soup kitchen] and being tied inextricably to the quintessential plutocrat Mittens Romney. If he doesn’t change these perceptions of himself by the public, he will never be able to get that Ayn Rand stink off of his clothes.
Watchdog Wire (Franklin Center for Government & Public Integrity)
…a student who has asked that both he and his school remain anonymous, reported that he was fired from his post as a teaching assistant after he attended an internship with the Ayn Rand Institute. The school reportedly told this student that Rand’s ideology was so vastly different from theirs that they felt he was no longer a suitable candidate to work with their students.
On Last Week Tonight, perhaps to balance out his less-than-friendly main segment on Obama’s drone policies, John Oliver asked a question that has bothered people about Ayn Rand since she first emerged in the middle of the twentieth century: why are people into this dreck?
Rand was the founder of Objectivism, a sub-Nietzschean philosophy that glorified selfishness and denigrated altruism, aggressively detailed in two novels bearing both the weight and prose style of a cement brick. Not surprisingly, this organized atavism never gained serious purchase: during her lifetime she was rejected by everyone from literary critics to philosophy professors to Frank Lloyd Wright, who didn’t appreciate her cribbing protagonist Howard Roark from his biography.